Rhetoric and Performance Bibliography
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Introduction Contributors
Bibliography Ahmed, Sara. The Cultural Politics of Emotion. New York: Routledge, 2004. Alim, H. Samy. Roc The Mic. New York: Routledge, 2006. Atwill, Janet M. “Techné and the Transformation of Limits.” Rhetoric Reclaimed: Aristotle and the Liberal Arts Tradition. Ithaca: Cornell UP, 1998. 47-69. Augsberg, Tanya. “Orlan’s Performative Transformations of Subjectivity” In The Ends of Performance, Ed. by Jill Lane and Peggy Phelan. New York: NYU Press, 1998. Auslander, Philip. Liveness. London: Routledge, 1999. —.. (1994). Boal, Brecht, Blau: The Body. In J. Cohen-Cruz & M. Schutzman (Eds.), Playing Boal: Theatre, Therapy, Activism (pp. 124-123). New York, New York: Routledge. Austin, Gilbert. Chironomia: or, a Treatise on Rhetorical Delivery. Carbondale: Southern Illinois University Press, 1966. Austin, JL. How to Do Things With Words. New York: Oxford University Press, 1980. Axer, Jerzy. “Tradition: A Voice from Peripheries.” Advances in the History of Rhetoric 9 (2006): 257-266. Bartholomae, David. “Inventing the University.” Writing on the Margins: Essays on Composition and Teaching. Boston: Bedford/St. Martin, 2005. 60-85. Bauman, Richard. Story, Performance, and Event: Contextual Studies of Oral Narrative. Cambridge: Cambridge University Press, 1986. —. Verbal Art as Performance. Prospect Heights, Illinois: Waveland Press, 1977. Bawarshi, Anis. “The Genre Function.” College English 62.3 (2000): 335-60. Bell, Elizabeth. Theories of Performance. Los Angeles: Sage Pub., 2008. Bennett, Susan. Theatre Audiences: a Theory of Production and Reception. London: Routledge, 1997. Bolter, Jay David. “Hypertext and Rhetorical Canons.” Rhetorical Memory and Delivery: Classical Concepts for Contemporary Composition and Communication. Ed. John Frederick Reynolds. Hillsdale, NJ: Lawrence Erlbaum, 1993. 97-112. Boal, A. (1979). Theatre of the Oppressed (C. A. McBride & M.-O. L. McBride, Trans. 1st ed.). New York: Theatre Communications Group. Brecht, B. (1964). Brecht on theatre: The development of an aesthetic. (J. Willett, Ed. & Trans.) New York: Hill and Wang. Brennan, Teresa. The Transmission of Affect. Ithaca, New York: Cornell UP, 2004. Bruner, M.L. (April 2005). Carnivalesque protest and the humorless state. Text and Performance Quarterly. 25 (2). 136-155. Bulwer, John. Chirologia…Chironomia. 1644. Ed. James W. Cleary. Southern Illinois UP, 1974. Burgh, James. The Art of Speaking. London: For T. Longman and J. Buckland, in Pater-nofter-row; E. and C. Dilly, in the Poultry; and T. Field and Co. in Leadenhall-street. 1761. Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of CA P, 1966. —. (1941). The philosophy of literary form: Studies in symbolic action. Louisiana: Louisiana State University Press. Burnett, Ken. Relationship Fundraising: A Donor Based Approach to the Business of Raising Money. San Francisco: Jossey-Bass, 2002. —. The Zen of Fundraising: 89 Timeless Ideas to Strengthen and Develop Your Donor Relationships. San Francisco: Jossey-Bass, 2006. Burns, Leslie David. “On Being Unreasonable: NCTE, CEE, and Political Action.” English Education 39.2 (2007): 120-45. Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993. —. Gender Trouble. New York: Routledge, 1999. Print. —.. Excitable Speech: A Politics of the Performative. New York: Routledge, 1997. —. Undoing Gender. New York: Routledge, 2004. Caraveli, Anna. “The Song Beyond the Song: Aesthetics and Social Interaction in Greek Folksong.” The Journal of American Folklore 95, no. 376 (1982): 129-158. Carlson, Marvin. Performance: A Critical Introduction. New York: Routledge, 1996. 2004. Case, Sue-Ellen. “Classic Drag: The Greek Creation of Female Parts.” Theatre Journal 37.3 (1985). 317-27. Cathcart, Robert S. “Movements: Confrontation as Rhetorical Form” Southern Speech Communication Journal 43 (1978): 233-47 Chemers, Michael. Staging Stigma: A Critical Examination of the American Freak Show. New York: Palgrave MacMillan, 2008. Cobb, William Jelani. To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic. New York: New York UP, 2007. Conquergood, Dwight. “Rethinking Ethnography.” Communication Monographs 58.2 (1991): 179-194. Rpt. SAGE Handbook of Performance Studies. Ed. D. Soyini Madison and Judith Hamera. SAGE, 2006. 351-366. —. (1992). Ethnography, rhetoric, and performance. Quarterly Journal of Speech, 78, 80-123. —. (2002). Performance studies: Interventions and radical research. The Drama Review, 46, 145-156. Corey, Frederick and Thomas Nakayama. “Sextext.” Text and Performance Quarterly 17 (1997): 58-68. Davy, Kate. “Fe/male Impersonation: The Discourse of Camp.” Critical Theory and Performance. Ed. Janelle G. Reinelt and Joseph G. Roach. Ann Arbor: University of Michigan Press, 2007. 355-71. DeCerteau, Michel. The Practice of Everyday Life. trans. Steven F Rendall, Berkeley, Calif.: U of C Press, 1984. Dechaine, Robert. “Affect and Embodied Understanding in Musical Experience.” Text and Performance Quarterly 22, no. 2 (2002): 79-98. Derrida, Jacques. Limited Inc. Evanston: Northwestern UP, 1988. —. “Signature, Event, Context.” Glyph, 1977, Vol. 1. 1977. —. “Writing before the Letter,” and especially “The Written Being/The Being Written.” On Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore: The Johns Hopkins U P, 1974, 1976. 1-93, esp. 18-26. Diamond, Elin. “Mimesis, Mimicry, and the ‘True-Real.” Acting Out: Feminist Performances, Eds. Lynda Hart and Peggy Phelan. Ann Arbor: University of Michigan Press, 1993. —. “Hip Hop to Rap: Some Implications of an Historically Situated Approach to Performance.” Text and Performance Quarterly 19 (1999): 355-369. Dimitriadis, Greg. Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice. New York: Peter Lang, 2001. Dolan, Jill. “Geographies of Learning: Theater Studies, Performance, and the ‘Performative’.” Geographies of Learning: Theory and Practice, Activism and Performance. Middleton, Connecticut: Wesleyan UP, 2001. Dove, Kent E., Jeffrey A. Lindauer and Carolyn P. Madvig. Conducting a Major Gifts and Planned Giving Program. San Francisco: Jossey-Bass, 2002. Elliot, B. F. (1990). Nora’s doors: Three American productions of Ibsen’s A Doll House. Text and Performance Quarterly, 10. 194-203. Finnegan, Ruth. “Part III: The Multiple Creativity in Human Communicating.” Communicating: The Multiple Modes of Human Interconnection. London: Routledge, 2002. 221-263. Fishman, Jenn, Andrea Lunsford, Beth McGregor, and Mark Otuteye. Performing Writing, Performing Literacy. CCC 57.2 (2005): 224-52. Foley, L. (1940). Jarring Echoes. Modern Language Journal. 24 (7), 526-532. Fredal, James. Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes. Carbondale: Southern IL UP, 2004. Fredericks, Laura. The Ask: How to Ask Anyone for Any Amount for Any Purpose. San Francisco: Jossey-Bass, 2006. —. Developing Major Gifts: Turning Small Donors into Big Contributors. New York: Aspen Publishers, 2003. Freire, Paolo. Pedagogy of the Oppressed. London: Penguin, 1972. Gadamer, H-G. (2004). Truth and Method. New York: The Continuum International Publishing Group, Inc. Goffman, Erving. The Presentation of Self in Everyday Life. Garden City, NY: Doubleday, 1959.* Gomez-Pena, Guillermo. “Culturas-In-Extremis: Performing Against the Cultural Backdrop of the Mainstream Bizarre” In The Performance Studies Reader, 2nd Ed., Edited by Henry Bial. New York: Routledge, 2007. Graff, Richard and Michael Leff. “Revisionist Historiography and Rhetorical Tradition(s).” The Viability of the Rhetorical Tradition. Ed. Richard Graff, Arthur E. Walzer, and Janet M. Atwill. Albany, NY: SUNY UP, 2005. 11-30. Hamera, J. (January 1991). Loner on wheels as gaia: Identity, rhetoric, and history in the angry art of Rachel Rosenthal. Text and Performance Quarterly. 11, 35-45. Hart, Ted, James M. Greenfield, Pamela M. Gignac, and Christopher Carnie. Major Donors: Finding Big Gifts in Your Database and Online. San Francisco: Jossey-Bass, 2006. Hauser, Gerald. “Teaching Rhetoric: Or Why Rhetoric Isn’t Just Another Kind of Philosophy or Literary Criticism.” Rhetoric Review 34.3 (2004): 39-53. Hawhee, Debra. “Kairotic Encounters.” Perspectives on Rhetorical Invention. Eds. Janet M. Atwill and Janice M. Lauer. Knoxville: The U of Tennessee P, 2002. 16-35. Hirsch, Marianne. “What’s Wrong with These Terms? A Conversation with Barbara Kirshenblatt-Gimblett and Diana Taylor.” PMLA 120.5 (2005): 1497-1508. Holcomb, Chris. “‘Anyone Can Be President’: Figures of Speech, Cultural Forms, and Performance.” RSQ 37 (2007): 71-96. Holzer, Jenny. Hope, Donna P. “The British Link-Up Crew: Consumption Masquerading as Masculinity in the Dancehall.” Interventions 6.1 (2004). 101-17. Hurner, S. (2006). Discursive identity formation of suffrage women: reframing the “cult of true womanhood” through song. Western Journal of Communication. 70 (3), 234-260. Jackson, Shannon. Lines of Activity: Performance, Historiography, Hull-House Domesticity. Ann Arbor: U of MI P, 2000. Jamieson, Kathleen M. “Antecedent Genre as Rhetorical Constraint.” Quarterly Journal of Speech 61.4 (1975): 406-15. Johnson, E. Patrick. Appropriating Blackness: Performance and the Politics of Authenticity. Durham: Duke University Press, 2003. Kames, Henry Home, Lord. Elements of Criticism. 6th ed. 2 vols. 1785. New York: Garland, 1972. Kershaw, B. (2007). Performance, Community, Culture. In P. Kuppers & G. Robertson (Eds.), The Community Performance Reader (pp. 77-96). New York, New York: Routledge. Kirsch, Gesa E. and Liz Rohan, eds. Beyond the Archives: Research as a Lived Process. Carbondale: Southern Illinois UP, 2008. Kirshenblatt-Gimblett, Barbara. “Performance Studies” In The Performance Studies Reader, 2nd Ed. Edited by Henry Bial. New York: Routledge, 2007. Lakoff, George. Don’t Think of an elephant! Know Your Values and Frame the Debate. White River Junction, VT: Chelsea Green, 2004. ——. Moral Politics: How Liberals and Conservatives Think. 2nd ed. Chicago: U of Chicago P, 2002. Lasn, Kalle. Culture Jam. New York: Eagle Brook, 1999 Le Brun, Charles. The Conference of Monsieur Le Brun, Chief Painter to the French King, Chancellor and Director of the Academy of Painting and Sculpture; Upon Expression, General and Particular. Translated from the French. London: 1701. Le Faucheur, Michel. An Essay upon the Action of an Orator; As to his Pronunciation & Gesture. Useful both for Divines and Lawyers, and necessary for all Young Gentlemen, that study how to Speak well in Publick. Done out of French. London: 1702. Leff, Michael and Andrea A. Lunsford. “Afterwords: A Dialogue.” Rhetoric Review 34.3 (2004): 55-67. Lengell, Laura. “Performing In/Outside Islam: Music and Gendered Cultural Politics in the Middle East and North Africa.” Text and Performance Quarterly 24.3/4 (2004): 212-232. Lerman, Liz. Lindquist, Danille Christensen. “‘Locating’ the Nation: Football Game Day and American Dreams in Central Ohio.” Journal of American Folklore 119.474 (2006) 444-88. Love, Meredith. Composing through the Performative Screen: Translating Performance Studies into Writing Pedagogy. Composition Studies 35.2 (2007): 11-30. Loxely, James. Performativity. New York: Routledge, 1997. Madison, D. Soyini and Judith Hamera. “Introduction: Performance Studies at the Intersections,” in D. Soyini Madison and Judith Hamera, eds. The SAGE Handbook of Performance Studies. Thousand Oaks: Sage, 2006. Malesh, Patricia. “Sharing Our Stories: Vegan Conversion Narratives as Social Praxis.” Active Voices: Composing a Rhetoric of Social Movements. Stevens, Sharon and Patricia Malesh, eds. New York: SUNY Press, 2009. 131-145. Margolin, Deb. “A Perfect Theater for One: Teaching Performance Composition” TDR Vol. 41, No. 2 (Summer 1997), pp 68-81. Stable URL: http://www.jstor.org/stable/1146625. Mason, John. An Essay on Elocution, or Pronunciation. London: 1748. May, T. J. (2007). Toward Communicative Democracy: Developing Salmon is Everything. In P. Kuppers & G. Robertson (Eds.), The Community Performance Reader (pp. 153-164). New York, New York: Routledge. McKenzie, Jon. “Introduction,” “Performance Paradigms,” and “Perfumance.” Perform or Else. London: Routledge, 2001. McKerrow, R. E. “Corporeality and Cultural Rhetoric: A Site for Rhetoric’s Future.” Southern Communication Journal 63.4 (1998): 315. Miller, Carolyn. “Genre as Social Action.” Quarterly Journal of Speech 70 (1984): 151-67. Miller, Thomas P. “Teaching the Histories of Rhetoric as a Social Praxis.” Rhetoric Review 12.1 (Autumn 1993): 70-82. Millsap, S. P. (Summer 2004). Musical remakes: An adaptation of the “Illusion of Life” rhetorical model. The Forensic of Pi Kappa Delta. 89, 37-41. Munoz, Jose Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis, U of Minn. Press, 1999. O’Reilly, M. (2005). ‘Active noising’: The use of noises in talk, the case of onomatopoeia, abstract sounds, and the functions they serve in therapy. Text. 25 (6), 745-762. Orlan. “Intervention.” In The Ends of Performance, edited by Jill Lane and Peggy Phelan. Parker, Andrew and Eve Kosofsky Sedgwick. “Introduction: Performativity and Performance.” Performativity and Performance. New York: Routledge, 1995. Rpt. In The Performance Studies Reader, 2nd Ed. Edited by Henry Bial. New York: Routledge, 2007. Pao, A. (1992). The eyes of the storm: Gender, genre, and cross-casting in Miss Saigon. Text and Performance Quarterly, 12, 21-39. Papa, L. (1999). “We gotta make up our minds”: Waiting for Lefty, workers’ theatre performance and audience identification. Text and Performance Quarterly, 1 57-73. Pavis, Patrice. Analyzing Performance: Theater, Dance, and Film. Ann Arbor, MI: University of Michigan Press, 2003. Pavis, Patrice. “The Potentials of Spaces: The Theory and Practice of Scenography and Performance.” Theatre at the Crossroads of Culture. New York: Routledge, 1992. Pennycook, Alastair. Global Englishes and Transcultural Flows. New York: Routledge, 2006. “Performance Studies” FORUM. Text and Performance Quarterly 10 (1990): 248-268; Wendt, Ted. “The Displacement of the Aesthetic: Problems of Performance Studies.” 248-256;Conquergood, Dwight. “Response to Wendt.” 256-259; Dailey, Sheron. “Response.” 259-261; Grey, Paul. “On Naming the Rose: A Response.” 262-264; Schneider, Raymond. “Performance Studies: The Lyric Dimension.” 264-265; Stern, Carol Simpson. “A Reply to Wendt.” 265-267; VanOosting, J. and R. Pelias. “Performance Studies: Continuing the Dialogue.” 267-268. Peters, Julie Stone. Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe. Oxford: Oxford UP, 2000. Pezzullo, Phaedra. “Resisting “National Breast Cancer Awareness Month”: The Rhetoric of Counterpublics and their Cultural Performances.” Quarterly Journal of Speech 89.4 (Nov. 2003): 345-365. Phelan, Peggy. “Introduction: The Ends of Performance” In The Ends of Performance, Ed. by Jill Lane and Peggy Phelan —. “The Ontology of Performance: Representation without Reproduction.” Unmarked: The Politics of Performance. London: Routledge, 1993. 146-166. Pollock, Della. “Performing Writing” In The Ends of Performance, Ed. by Jill Lane and Peggy Phelan. Priestley, Joseph. A Course of Lectures on Oratory and Criticism. 1777. English Linguistics, 1500-1800 (A Collection of Facsimile Reprints). Ed. R. C. Alston. Menston, England: Scolar Press, 1968. Prince, Russ Alan and Karen Maru File. The Seven Faces of Philanthropy: A New Approach to Cultivating Major Donors. San Francisco: Jossey-Bass, 2001. Ratcliffe, Krista. Rhetorical Listening: Identification, Gender, Whiteness. Carbondale: Southern IL U P, 2005. Ray, Angela. “The Rhetorical Ritual of Citizenship: Women’s Voting as Public Performance, 1868-1875.” Quarterly Journal of Speech 93, no. 1 (Feb. 2007): 1-26. Relias, R. J. and J. VanOosting. “A Paradigm for Performance Studies” Quarterly Journal of Speech 73 (1987): 219-231. Rice, J. (2006). The making of ka-knowledge: Digital aurality. Computers and Composition. 23, 266-279. Roach, Joseph. “Introduction: History, Memory and Performance” and “Betterton’s Funeral.” Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996. —. Players’ Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993. —. “The Artificial Eye: Augustan Theater and the Empire of the Visible.” The Performance of Power: Theatrical Discourses and Politics. Ed. Sue-Ellen Case and Janelle Reinelt. Iowa City: University of Iowa Press, 1991. Roberts-Miller, Patricia. “Dissent As ‘Aid and Comfort to the Enemy’: The Rhetorical Power of Naïve Realism and Ingroup Identity.” Rhetoric Society Quarterly 39.2 (2009): 170-88. Ross, Bernard, and Clare Segal. The Influential Fundraiser: Using the Psychology of Persuasion to Achieve Outstanding Results. San Francisco: Jossey-Bass, 2008. Rupp, Leila J. and Verta Taylor. Drag Queens at the 801 Caberet. Chicago: U of Chicago P, 2003. Sargeant, Adrian, and Elaine Jay. Building Donor Loyalty: The Fundraiser’s Guide to Increasing Lifetime Value. San Francisco: Jossey-Bass, 2004. Schechner, Richard. “Collective Reflexivity: Restoration of Behavior.” A Crack in the Mirror: Reflexive Perspectives in Anthropology. Ed. J. Ruby. Philadelphia: University of Pennsylvania Press, 1982. 39-82. —. (2003). Performance Theory (2nd ed.). London: Routledge. —. “What Is Performance Studies, Anyway?” In The Ends of Performance, Ed. by Jill Lane and Peggy Phelan. New York: NYU Press, 1998. Scott, Robert L. “On Viewing Rhetoric as Epistemic.” Central States Speech J 18 (1967): 9-16. “On Viewing Rhetoric as Epistemic: Ten Years Later. Central States Speech J 27 (1976): 258-266.”Rhetoric as Epistemic: What Difference Does That Make?” Defining the New Rhetorics. Ed. Theresa Enos and Stuart C. Brown. Englewood Cliffs, New Jersey: Prentice Hall, 1994. 120-136. Sedgwick, Eve. “Introduction: Axiomatic” and “Epistemology of the Closet.” Epistemology of the Closet. Berkeley: University of California Press, 1990. —. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP, 2003. Sennett, R. (2003). Resistance. The Auditory Culture Reader. Ed. Michael Bull and Les Back. Sensory Formation Series. New York: Berg. 481-484. Sheridan, Thomas. A Course of Lectures on Elocution: Together with Two Dissertations on Language; and Some other Tracts Relative to Those Subjects (London, 1780; repr. Menston: Scolar Press, 1967). — Lectures on the Art of Reading in Two Parts. Containing Part I. The Art of Reading Prose. Part II. The Art of Reading Verse. London: Printed for C. Dilly, in the Poultry; J. Dodsley, Pall-Mall; and T. Evans, in the Strand. 1781Shusterman, Richard. Bourdieu: A Critical Reader. MA: Wiley-Blackwell Publishers, 1999. Spackman, Helen. “Minding the Matter of Representation: Staging the Body (Politic). Contemporary Theatre Review 10.3 (2000). 5-22. States. Bert P. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California UP, 1987. Steele, Joshua. Prosodia Rationalis. London: 1775. Stephens, E. (December 2006). Cultural fixions of the freak body: Coney Island and the postmodern sideshow. Continuum: Journal of Media & Cultural Studies. 20 (4), 485-498. Stone, Sandy. “The Empire Strikes Back: A Postranssexual Manifesto.” The Transgender Studies Reader. Eds. Susan Stryker and Stephen Whittle. New York: Routledge, 2006. Sullivan, Nikki. “Transmogrification: (Un)Becoming Other(s).” The Transgender Studies Reader. Eds. Susan Stryker and Stephen Whittle. New York: Routledge, 2006. Taylor, Diana. Chapters 1, 2, 10. Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University P, 2007. 1-78, 266-278. —. “Remapping Genre through Performance: From ‘American’ to ‘Hemispheric’ Studies.” PMLA 122.5 (2007): 1416-30. —. “Translating Performance” In The Performance Studies Reader, 2nd Ed. Edited by Henry Bial. New York: Routledge, 2007. Templeton, Fiona. Trinh, T. Minh-Ha. Woman, Native Other. Bloomington: Indiana University Press, 1989. Turner, Victor. From Ritual to Theater: The Human Seriousness of Play. New York: PAJ Publications, 1982. —. (1982). Social Dramas and Stories About Them. From Ritual to Theatre. New York: Performing Arts Journal Publications. Walker, Jeffry. “On Rhetorical Traditions: A Reply to Jerzy Axer.” Alliance of Rhetoric Societies. Northwestern University. 12 Sept. 2003. Alliance of Rhetoric Societies. 20 Nov. 2003. Web. 3 May 2009. Walker, John. Elements of Elocution: In which the Principles of Reading and Speaking are Investigated, and Such Pauses, Emphases, and Inflexions of Voice, as Are Suitable to Every Variety of Sentence, Are Distinctly Pointed Out and Explained; With Directions for Strengthening and Modulating the voice…To Which is Added, A Complete System of the Passions; Showing How They Affect the Countenance, Tone of Voice, and Gesture of the Body. London: For J. Walker, G. Wilkie and J. Robinson, and G. Robinson, in Pater-Noster Row…1810. Walker, Julia Ingraham. Nonprofit Essentials: Major Gifts (AFP Fund Development Series). San Francisco: Jossey-Bass, 2006. Walker, Obadiah. Vulgar Errours in Practice Censured: Also, The Art of Oratory. London: 1649. —The Art of Speaking in Public. London: 1727. Walker, P. (1956). Arthur Miller’s “The Crucible”: Tragedy or allegory? Western Speech, 20, 222-224. Ward, John. A System of Oratory. London: 2 vols. 1759. Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2005. Webber, Jim. “Framing English Education in Political Debate: The Case of Bilingual Education.” Under review now at English Education. Wilson, Thomas D. Winning Gifts: Making Your Donors Feel Like Winners. San Francisco: Jossey-Bass, 2008. Wolf, S. (2007). Wicked divas, musical theater, and Internet girl fans. Camera Obscura, 22. 38-71. —. (2008). Defying Gravity: Queer Conventions in the musical Wicked. Theatre Journal, 60, 1-21. Worthen, W.B. “Disciplines of the Text: Sites of performance.” The Performance Studies Reader, Ed. Henry Bial. London: Routledge, 2007. —. “Authority and Performance.” Shakespeare and the Authority of Performance. Cambridge: Cambridge UP, 1997. 1-44.
Vitanza, Victor J. Negation Subjectivity, and The History of Rhetoric. Albany: SUNY Press, 1997. |
